In this session, let’s explore web content management systems in meeting the needs of different types of museum libraries. For example, if a museum is using a content management system to archive their photographic collections, what are some criteria we might consider in selecting a web content management system? What are some of the advantages and disadvantages of free versus a proprietary CMS? In the case of a proprietary CMS, what happens to the content if the company who creates the CMS fails or if the company is bought out? Should museum libraries harness that control? Would it makes sense for museum libraries to work together to build their own CMS, shared across institutions?

What are museums, libraries, and archives hired to do? Does this matter, and how does it differ from what they offer? I’ve recently been learning about Clayton Christensen’s work on disruption theory and it’s provoked some interesting questions about what job(s) people hire institutions to do. Here’s a link to a piece on the blog Asymco.com looking at technological disruption and change in the early telecommunications industry.

The theory comes out of the world of business methods, so why should we pay any attention to it at all? I think we should because of the broader implications that arise from it. The technology industry has been seeing an increase in disruption recently, and it looks like the effects are spilling over into other areas alongside the penetration of technology. I would like to take the time to think about what job museums, libraries, and archives are hired to do by their patrons and visitors, and if they face disruption by good-enough alternatives that might or might not be in the same business space (Wikipedia, Amazon, etc).

I’m by no means an expert on this, but I did attend a conference in Amsterdam on the topic as it relates to mobile computing. I’m interesting in seeing what people are worried about when it comes to possible replacements, or even if it is considered a problem.

THATCamp notes taken during this Session can be found at ow.ly/b1czR

Session Proposal
Yielding to the omnipresent camera phone, most museums have had to change their no-photography policy (although still enforced in special exhibitions). Museums even encourage taking photos, featuring them on their websites and social media pages.

I would like to explore how photo taking and photo sharing practices have changed the gallery experience and the experience of art online. Do these candid snapshots reveal something that official collection photographs don’t? What do we need to know about fair use and copyright infringement? How do we manage all these images?

Here are some links to spark conversation:

At Louvre, Many Stop to Snap but Few Stay to Focus

At Galleries, Cameras Find a Mixed Welcome

Google Art Project and Google Goggles

Also –
Check out any museum’s social media pages including Official Flickr Group Pool and Facebook;

And see results of online image search for any artist:
( Picasso? – About 75,600,000 results in 0.12 seconds; Gauguin? “only” about 3,510,000 results; Beuys? 1,350,000……)